It has been said that versatility is not always such a great thing in that it implies, "jack of all trades; master of none". The contradiction to that statement is nowhere more evident than that of Jeanloup Sieff's work. He worked for the Magnum Agency and was known as a photographer of fashion, portraits, dance, nudes, landscapes, reportage, erotica, and of course, derrieres, for which he devoted an entire book. He was a master of all these realms. Click here to see his official website.
Click on the links above to get the stories and see the work. You will need to click here to see the images from Svenson's, The Neighbors series (the link above is only an article about the controversy). The Neighbors series is particularly noteworthy because it challenges what has been defined as street photography. How many photojournalists have shot images in Africa, Cambodia, etc, with people fully identifiable, no model release, no compensation, and had them either exhibited or published?
As to the Greenberg series, here is a comment as posted on Facebook in response to a post on the series:
Comment (edited): "What I get is that these images are disturbing. If you didn't know that candy being taken away was the prompt and gimmick used to get these
kids so distressed, you'd think they just suffered some devastating
loss. I don't particularly care for
set-up shots that seem to indicate that the photographer was being cruel
solely to get shots that would bother us or provide some sort of shock
value or create some controversy. Unlike a photojournalist's shot that
may be difficult to look at because of the horror of the reality (i.e.,
war shots, etc), this is something I have trouble looking at because it
is staged - idea: hey, let's upset some very little kids and make them cry and
then, who knows?, let's make them cry for a good 30 minutes ... until we
get our shot."
I posted on her monkey series at one point ... they seem to be emoting, too. Hmmm. http://kritinaknief.blogspot.com/2012/09/jill-greenberg.html And, to tie in these two artists together, how is this for irony? Arne Svenson's, About Face series from 2011 is a collection of faces with various expressions. Was a method used to bring out these expressions? Yes. Here is a statement from Svenson's site about the series, "From one perspective the viewer sees only a neutral portrait of the
student, while from the other angle one views an open spread, which
reveals an expressive image of the student and an accompanying emotional
motivator. Motivators range from an image of kittens at play to a
fistfight." Is there any difference then between this and what Greenberg did?
What do you think? I welcome and encourage your comments! All points of view welcome. :)